1930) - The Origins of Western Notation ( Einführung in die Neumenkunde )ĭr. Oskar Fleischer (1856–1933) - musicologist Graduale Triplex, Offertoriale Triplex, melodic restorationĭr. recordings with Vienna Hofburgkapelle ScholaĬhristian Dostal - coeditor of the Graduale Novumĭom Paolo Ferretti, O.S.B. László Dobszay (1935–2011) - musicologist, semiology, recordingsįr. ( 1840–1912 ) - mensuralism, meter in chantĬanon G. Richard Crocker (1927–2021) - semiology, recordingsĭom Antoine Dechevrens, O.S.B. Marie-Noël Colette - virtuosic semiological recordingsĭr. Bernard Christman - comparison of Solesmes method and mensuralism or proportional rhythmĭom Jean Claire, O.S.B. (1905–88) - Gregorian Semiology, “new Solesmes" style 1936) - mensuralism/proportionalism, Rhythm in Western Sacred Music Before the Mid-Twelfth Century and the Historical Importance of Proportional-Rhythm Chantīenjamin Bloomfield - online tools for GABC notationįranz Caiter - critic of the Graduale Novumĭom Eugène Cardine, O.S.B. Marie-Claire Billecocq († 2020) - Graduale Triplex Jan van Biezen (1927–2021) - mensuralism/proportionalism, Rhythm, Meter and Tempo in Gregorian Chant Mary Berry, CBE (1 917–2008 formerly Mother Thomas More) - semiologyĭr. (1919–2010) - longtime choirmaster of Einsiedeln Abbey, directed fine recordings with the monks and other ensemblesĪdam Bartlett - accentualism, Illuminare score editor, Simple English Propersīr. Terence Bailey - translator of the Commemoratio Brevisįr. Willi Apel (1893 –1988) - musicologist, author of the book titled Gregorian Chant Luigi Agustoni (1917–2004) - semiology, melodic restoration, Einführung in die Interpretation des Gregorianischen Chorals, recordings with Nova Schola Gregoriana ![]() Nino Albarosa (1933–2023) - musicologist known for writings and recordingsįr. Whatever is found to be one and the same among many is not an error but a tradition.” (Tertullian) “Never is there one result among many chances. Gregory.” (Dom Guéranger, Institutions liturgiques ) “When a large number of manuscripts of various epochs and from different countries agree in the version of a chant, it may be affirmed that those manuscripts undoubtedly give us the phrase of St.
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